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Tag: Manga

Akira Toriyama: Potential Unlocked, or Son Gohan and Me

I found out yesterday that manga legend Akira Toriyama died. I suspect many of you feel the same way I do. 68 is long enough to have an impact and to have led a good life, but it doesn’t seem like enough. Toriyama wasn’t just the creator of Dragon Ball. He was prolific and profoundly influential as a cartoonist. His control over pacing, choreography, tone, were all world-class. Yes, he forgot some characters existed, but I suspect I would too if I were turning out a chapter a week. This isn’t meant to be an analysis of Toriyama-sensei’s works–though I’d like to do one in the future–but rather a bit of a eulogy. What Akira Toriyama’s works meant to me personally.

First, a little bit of my background.

For as long as I can remember, I’ve been afraid. I was never quite certain of what; it was nebulous and elusive, and changed form often. It felt like there was something inside of me that was wrong somehow, and that I had to contain it or face disaster. I felt weak, afraid, insufficient. Six months ago, I was officially diagnosed with obsessive compulsive disorder and began treatment. I feel better now than I have in my entire life. I’m thirty-six years old, and I’m finally unfettered and showing my true power.

Given that, it should be no surprise that my favorite character in Dragon Ball is Son Gohan. I immediately related to him. The bookish and soft son of the world’s greatest fighter Son Goku felt familiar. When I saw his character arc play out on Toonami’s broadcasts of Dragon Ball Z, and later when I saw Team Four Star’s Dragon Ball Z Abridged and finally read the manga, it hit. It felt like Akira Toriyama got me in a way I hadn’t quite gotten myself yet.

Here’s what Akira Toriyama taught me through Son Gohan:

Sometimes you’ll be scared.

Son Gohan runs screaming away from a giant, carnivorous dinosaur trying to eat him.

You can be weak.

Son Gohan get kicked hard by Ginyu Force member Recoome, who vastly outclasses him in power level and fighting prowess.

Sometimes you’ll be angry.

Gohan tries to throw a punch through angry tears.

It can feel like you’re all alone sometimes.

Son Gohan blames himself for Piccolo's death--he believes he wasn't strong, brave, or smart enough to defend himself, forcing Piccolo to sacrifice himself.

You can make terrible mistakes.

Piccolo shields a frozen Gohan from a ki blast that will assuredly kill whoever is in its way.

Sometimes life pushes you into situations where you don’t want the expectations that are being put onto you.

Son Gohan cries as he watches his friends falling in combat around him, victims of Cell's sadism and desire to see the pacifist Gohan really snap.

You can feel like there’s something that separates you from everyone else, something you have to keep in check, or face disaster.

Son Gohan can turn into a Great Ape or Oozaru under the light of the full moon, and he loses all reason and self control. Vegeta is about to find out firsthand, as an enraged Great Ape Gohan raises a boulder above his head to smash Vegeta.

It doesn’t matter.

In your life, the hardest work will be all yours to do. Nobody can take it away or do it for you. When the day of fate comes, what you have inside of you is enough. That’s all you have to be. The power to face your fight, win or lose, was always yours, it was just a matter of letting it loose.

Gohan faces his fear and allows his power to flow freely, proving himself to be stronger than the monster Cell.

See you at the next Tenka’ichi Budōkai. If you liked this article, you might like some of my other posts on media I like.

Images from Dragon Ball, various volumes, sourced from Dragon Ball Official (March 8, 2024).

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Good Thing: Ramen Wolf & Curry Tiger

Ramen Wolf & Curry Tiger, vol. 1, by Emboss. 

This is a slice of life manga set in a Japan where anthropomorphic animals and human beings live side by side without serious issue. Gourmand wolf Mita Jiro (Ramen Wolf) embodies Robert A. Heinlein’s proverb “Everything in excess! To enjoy the flavor of life, take big bites.” Contrariwise, Yanagi Kagetora (Curry Tiger, or “Currytora”) is hesitant around people and ascetic, mostly preferring solitude and bland, prepackaged meals. But they spend their days off together exploring Japan’s various ramen establishments and enjoying food in company. Their friends notice how close they’ve gotten and try to figure out what they see in each other.

This only the first volume, so the story can be a tad episodic and shallow until they get to the centerpiece and reveal how Jiro and Kagetora met. It’s disarmingly light in tone, but promises to delve into character backgrounds and motivation as more volumes release. The book also teases a romantic relationship between Jiro and Kagetora, but doesn’t make it explicit. I’d appreciate more explicit LGBTQ+ content in future volumes, and certainly hope Emboss is allowed to explore it in depth. As it stands, Volume 1 certainly worked up my appetite for more.

The art is the main course. Emboss shows solid fundamentals in anatomy, backgrounds, and layout, and throws in male eye candy without it getting in the way of story. The presence of anthropomorphic animals makes Beastars immediately spring to mind, but the art is closer in style and tone to Kiyohiko Azuma’s Yotsuba&! It’s charming and cartoonishly expressive while feeling grounded in, if not exactly realism, verisimilitude. That Emboss can make Kagetora so adorable and identifiable in a childhood flashback speaks well to their skills.

Looking forward to the next volume. If it sounds good, buy from my affiliated link below!